Normally, I would not bother reviewing the re-release on compact disc of records that are over 30 years old. However, the greatness of these four albums, originally released over an amazing 18 month period of creativity between January 1969 and July 1970, cannot be overstated. Having them finally in gloriously remastered 24-bit digital brings out even more of their glory.

Clearly, CCR leader John Fogerty was one of the leading songwriters of the late 60s, with his output here clearly drawing comparisons with Lennon & McCartney for classic singles and album tracks. Most importantly, and perhaps overlooked at the time, was the spectacular rhythm section of brother Tom Fogerty on guitar, Stu Cook on bass, and Doug "Cosmo" Clifford on drums. To hear how good they were, just listen to John Fogerty’s remakes of these songs on his recent solo tours and live albums. Great performances with a very good band, but not on this level at all.

Think of these songs as defining an era. Start with "Proud Mary" on "Bayou;" move to "Bad Moon Rising," "Commotion," and the title track on "River;" then spin by "Down on the Corner" and "Fortunate Son," the latter arguably the best anti-war song of the late Sixties," on "Poor Boys;" and finish it off with "Travelin’ Band" and "Who’ll Stop the Rain" on "Factory."

Whew.

And then, throw in the incredible covers and jams. "Graveyard Train." "Good Golly Miss Molly." "Cotton Fields." "Effigy." The seminal "I Heard It Through the Grapevine."

In a day where albums are spaced three years and father apart, the Creedence legacy stands strongly.

- Mark T. Gould

All four albums: ****

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